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Santa-Ana crown molding NL3
Pacifica shock resilient molding NWL1

Mentio baseboard NFL2

Tanor ceiling medallion NR8
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Lighting Levels and Visual Comfort
Consider that, once created, light travels onward from its source until it is
modified in some way by striking whatever is in its path. Light, then, can glow,
create shadows, model forms, reflect from polished surfaces, pass through
translucent and transparent forms, distort shapes, be mystical and
dramatic—depending upon how light is angled, diffused, and positioned. The angle
of light changes the dynamic power of light—such as light from below, or light
from above. All of us have seen the dramatic modeling of Frankenstein's
monster's features through use of intense lighting from below.
There are four factors that affect how well we can see objects in an
environment: contrast between object and background; reflectance of the object;
its size or dimensions; and the length of time available to view an object. All
these factors can be controlled. Time is irrelevant because it can be assumed
that we will spend enough time in an area to see what is there.
Contrast, for our purposes, involves distinctions between colors and textures.
For fine work, you often want sharp contrast so that object and background will
not blend together. To create a relaxing mood the opposite may be desired.
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Reflectance and absorption relate to the surface quality of objects in an
environment—color and texture again. Matte surfaces and very dark objects absorb
most of the wavelengths of light that reach them. Dark, matte-surfaced rooms
will require more light than the same space in lighter surfaces.
Something to remember is that a surface which
reflects less than 10 percent of the light that hits it will seem
black—no matter what its color. Different surfaces reflect and absorb
different wavelengths in different degrees. This selectivity determines
what color we finally see. A surface that reflects primarily long wavelengths of
light (when illuminated by white light) will tend to appear red because that is
the wave-length that reaches our eyes. Likewise, if most of the wavelengths reflect back
to our eyes, we see white. Too much light directed at glossy surfaces—like
mirrors, glass tables, photographs—will produce glare. Glare is irritating to
the eyes; it interferes with concentration and will induce fatigue. To avoid it,
use diffuse lighting in large areas with glossy surfaces, and apply focused,
directed lighting when reading or other close work is being performed. Unshaded,
undiffused incandescent or fluorescent lamps are far too bright for comfort when
directed at the eyes.
In residential lighting, two concerns dominate determination of illumination
levels and visual comfort: function and mood of the environment. Specific tasks,
such as sewing, cooking, and reading, require higher levels of lighting than do
relaxation activities. Kitchen
lighting should have well overall distribution,
free from shadow.
Although illumination specialists discuss lighting levels in terms of foot
candles or lumens, these types of measurements are impractical for measuring
light in a household. We are more familiar with lighting output denoted in terms
of wattage—which is the electrical power of an incandescent or a fluorescent
lamp. Generally, a minimum lighting level for a
living room lighting measuring sixteen
feet by twenty feet, or 320 square feet, would require an overall wattage of 640
watts. This could be delivered by three lamps that provide 150 watts each or 450
together, and two others using 100-watt bulbs yielding together 200 watts. This
translates into two watts per square foot or twenty watts per square meter of
floor area. Use this as a rule of thumb measure, but it does not take into
consideration the decorative lighting that is available. Decorative lighting
often provides the added amount of illumination necessary to
create a mood with
lighting and achieve visual comfort.
In a room where there are very specific activities, lighting should be designed
to accommodate them and provide a visual comfort. For example, in a dining room there should be direct light
over the table; in a bathroom light is necessary at the mirrors;
kitchen
lighting should be shadow-less and evenly distributed, and there should also be
extra lighting at the food preparation center.
Lighting fixtures should also be
focused toward the point of need, such as over the pillows of beds via wall
sconces or night
table lamps
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